ODMF 2017 ADJUDICATOR
PAUL COATES BIO
ODMF 2016 Piano Adjudicator:
A.D. (CT, USA), M.Mus. Perf. (New York,
USA), B.Mus. Perf., (Toronto, Canada), ARCT.
Canadian-born and of Chinese descent, Donna Mak has had an extensive performing history as a pianist, accompanist, chamber musician, and concerto soloist with orchestras. She began studies with Claire Wilson, with subsequent principal teachers Marjorie and Garth Beckett, Marietta Orlov, Boris Lysenko, Arkady Aronov, and Luiz de Moura Castro. She studied chamber music and accompanying with Patricia Parr, William Aide, John Hess, and Mitchell Stern. Pedagogy teachers included Marina Geringas and Vera Wills. Donna eagerly took many special interest workshops and seminars presented by the Miller Institute for Performing Artists on injury prevention and ergonomics for musicians, as well as courses in psychology. Her formulas and tips for "practicing for success" that work for herself have been adapted and applied to her students on an individual basis, and have achieved successful results. Donna has also had masterclasses with such renowned artists as Anton Kuerti, Richard Goode, Greta Kraus, and Dalton Baldwin.
Growing up, she accumulated a wealth of experience performing at countless venues and actively competing at the local, provincial, and national levels, and was a multi-award and scholarship recipient throughout. She has appeared on television, newspaper, and radio for her piano endeavours. In Toronto she won the prestigious W. O. Forsyth Scholarship for both piano and academic excellence all four consecutive years there, and maintained Honour Roll status in New York. In Connecticut, it was one of Donna’s solo piano recitals that inaugurated the newly acquired Steinway in Millard Theatre, and she was a performing member of the American Liszt Society; pianist in the Contemporary Players ensemble which included premiering new works on a regular basis; celeste player for the Groton Ballet Orchestra’s "Nutcracker"; and accompanist for the Avon-W.Hartford-Simsbury school board.
Donna has had numerous years of teaching experience, and was also Assistant to the Director of Chamber Music Studies at the University of Hartford and the piano instructor at a private school for boys in North York. She has adjudicated for music teachers’ branch competitions both in and out of province. Currently, Donna dedicates an exciting schedule of teaching piano and theory students at her own Studio in Kitchener, while continuing to accompany choir and travel as a Senior Examiner for the Royal Conservatory of Music Examinations (Canada) and the Royal Conservatory Music Development Program (USA). In 2012, she was Waterloo Region’s Gold Award recipient for Music Instructor, and in 2013 she was honored further with the Platinum Award. Donna has been a member of the Canadian Federation of Music Teachers’ Association for over 10 years. Currently the executive Vice President of KWORMTA, she also continues to be the K-W music recitals organizer. Her colleagues nominated Donna to receive the "Contribution to Teaching Award" in 2014 and she was honoured with the award at the provincial convention.
Penelope Dale holds adiplôme d’études supérièures, and a concours, à l’unanimité du jury in vocal performance from the Conservatoire de Musique du Québec à Montréal, as well as a Diploma in Education (Music Specialist) from McGill University. Her principal voice teacher was Madame Marie Daveluy, of Montreal, Quebec.
Ms. Dale has performed as a soloist in live performances for Radio Canada, in opera and in concert. She is a former faculty member of The Royal Conservatory of Music, where she taught voice and sight singing. Penelope was a compiler of The Royal Conservatory of MusicVoice Syllabus, 2005 Edition, and the Voice Repertoire Series, Third Edition, and has authored articles for the Royal Conservatory of Music Newsletter, Music Matters. She conducts voice examinations for The Royal Conservatory of Music, and has been a member of the College of Examiners of The Royal Conservatory of Music since 2005. Ms. Dale is also in demand as a festival adjudicator, and has adjudicated at numerous festivals in Ontario and in Manitoba, including the Windsor Kiwanis Music Festival, the Pickering Music Festival, the South Simcoe Arts Council Music Festival, and the Winnipeg Music Festival.
Penelope’s students have been received enthusiastically in festivals, competitions, vocal examinations, and university and high school entrance auditions. Graduates from her private voice studio have been accepted into vocal study programmes at universities throughout Ontario, such as the University of Toronto, the University of Western Ontario, McGill University, McMaster University, and Wilfrid Laurier University. Current students have been awarded placements at the Etobicoke School of the Arts, Claude Watson School of the Arts, and Cardinal Carter School of the Arts. Her students have received Silver Medals for attaining the highest mark in all of Ontario and Quebec in their voice examinations at The Royal Conservatory of Music, and numerous scholarship awards from the Davenport Music Festival, the Newmarket Music Festival, and the Kiwanis Music Festival.
Penelope Dale has received many awards for her singing, including first prize at the CIBC National Music Festival. She is a member of several professional organizations, including the Canadian Music Festival Adjudicators’ Association (CMFAA), the National Association of Teachers of Singing (NATS), (past Vice-President, Special Projects – Ontario chapter), and the Ontario Registered Music Teachers’ Association (ORMTA).
Joan received her ARCT degree in vocal performance from The Royal Conservatory of Music (1973), and became Director of Music at St. Matthew’s United Church that same year. She started a Children’s Choir. She introduced English Handbells to the congregation after attending classes at Westminister Choir College in Princeton. At the church, she has conducted up to 2 vocal choirs, 1 English Handbell choir and a youth Chime Choir, where some of the members are as young as 10. Currently, she conducts one vocal choir and a handbell choir. She also rings in a Handbell Quintet, made up of a small group of ringers from the Bells of St. Matthew’s.
As a clinician and conductor at many Handbell events across Canada and internationally, she was honoured to be the Canadian Conductor of 600 massed handbell ringers at the 10th International Handbell Symposium in Korea in 2002. She also co-ordinated the 11th International Handbell Symposium in Toronto in 2004 and planned other local Handbell events.
Born in Meaford, Ontario, Susan first studied piano with Esme Crichton of Meaford and then Shirley Hawkins of Owen Sound. Susan obtained her ARCT in 1986 and was awarded scholarships for Best Piano Performance from 1984 to 1986 at the Grey County Kiwanis Festival. She has also performed at the Provincial Kiwanis Music Competition and with the Georgian Bay Symphony, as well as for the Blue Mountain Festival of the Arts.
Susan studied at the University of Toronto with Patricia Parr and Boyanna Toyich, and graduated with a Bachelor of Music Education in 1990. She was one of the first graduates of the Licentiate Diploma in Performance and Pedagogy in what is now the Glenn Gould School at the Royal Conservatory of Music in Toronto (1992), and also received her Fellowship Diploma in Piano Performance from Trinity College of Music, London.
Susan was on the piano faculty of the Royal Conservatory of Music from 1991 to 1999, and has been a member of the Royal Conservatory College of Examiners since 1993. Susan is currently an active member of the Kitchener-Waterloo branch of the Ontario Registered Music Teachers Association and has served on ORMTA Provincial Council. As a member of the Canadian Music Festival Adjudicators’ Association, Susan also is active as an adjudicator across Canada. She enjoys the challenges of running a private piano studio in Kitchener, and teaches students of all ages.
Long time Orangeville resident Rosa Antony has had varied experience in both musical genre and style. Rosa received her musical training at the Royal Conservatory of Music; an undergraduate degree in Fine Arts from York University; a diploma in Operatic Performance from University of Toronto; and a diploma in Contemporary Music Theatre Performance from the Banff Centre School of Fine Arts where she was part of an ensemble developing and premiering new works for the vocal theatre repetoire. Among the new works premiered there, Rosa sang the title role in the first musical adaptation of Quebec playwright, Michel Tremblay's “Ste. Carmen of the Main”. In addition, Miss Antony holds a Bachelor of Education degree from OISE/UT with certification in Intermediate/Senior Music and Drama; Primary Education and also Montessori ECE training.
For 13 years Rosa performed with such groups as the Canadian Opera Company and Tapestry Music Theatre in Toronto performances and on National Tours; Taffelmusik; and Opera Atelier, to name a few. While raising her young family Rosa taught voice to adults and young people in Orangeville as well as music classes to children in her home studio and in local schools. During this time Rosa formed her own Community Opera Theatre group (Opera Plus), mounting several productions in Orangeville and area with the primary focus being: opera/music theatre education, community outreach, and fund raising for various groups such as Theatre Orangeville, CFUW, Salvation Army Food Bank, Hillside House/Family Transition Place and Orangeville Concert Association. Miss Antony has enjoyed an association with Theatre Orangeville since its early days, mounting productions like “Amahl and the Night Visitors” by G. C. Menotti (1996-2000) and “Madame Butterfly” by G. Puccini (2006) to raise funds for the theatre and for scholarships for the Young Company program.
Rosa is particularly proud of her one woman play, “The League of Notions” (about Dufferin County's Dr. Minerva Ellen Reid), conceived of, written and performed by her for the opening/closing of the Headwaters Arts Festival in 1996 at the DCMA. Her experience in live theatre continued in her portrayal of Laura in D. J. Needles' play “Maria Chapdelaine” in Rosemont and Orangeville in 1999. She will be remembered in both “Oklahoma” (Aunt Eller) and “The King and I” (Anna Leonowens) in OMT productions (2000-2001) directed by Theatre Orangeville's founding director, Jim Betts.
Rosa's current interests are in attaining a Master in Theological Studies at Tyndale University and being involved in the Lay Chaplaincy program at Headwaters Health Care Centre.
Hahn, B.A. (hons) Mus., ARCT, (piano Performance)
1998 – Piano – Catherine M. Palmer, Voice – Nicholas H. Morkel
1999 – Kathryn Robertson & Ann-Marie McDairmid
2000 – John Alonso
2001 – Sofia Kraevska and Lydia Tyson
2002 – Doreen Boss
2003 – Nancy Telfer
2004 – Jill Kelman
2005 – Joyce Hutton
2006 – Martin James
2007 – Nancy Telfer
2008 – Scott White
2009 – Susan Carscadden-Mifsud
2010 – Debra Wanless
2011 – Wayne Gilpin
2012 - Tyler Seidenberg
2013 - Ted Ellis
2014 – Piano – Susan Robinson, Voice – Rosa Antony
2015 - Piano/Voice - Amber Morphy; Handbells - Joan Plume; Band - Peter Dickson
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